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Monday, January 19, 2015

MICHAEL MOORE, A PATHETIC LOSER OF THE VERY HIGHEST ORDER…


I’m sure it will come as a surprise to virtually no one that Michael Moore, that rather infamous leftwing lard-ass, is no fan of the new movie, "American Sniper."  And it’s according to this over-weight reject from a fat farm that men such as Chris Kyle are not to be regarded as heroes, because, says Moore, they are essentially nothing more than cowards.  Now keep in mind here that such an opinion comes from the same guy who looks upon Castro as his hero and who was also a big fan of Hugo Chavez.

It was over this past weekend that Moore took to Twitter to vent.  And it was in so doing that he proceeded to, as only he can, take a number of what were a number of rather sophomoric potshots at the acclaim now being heaped upon the Clint Eastwood film, "American Sniper," starring Bradley Cooper.  The movie is based on the true story of Navy SEAL Chris Kyle, a Special Forces sharpshooter, who was credited with 160 confirmed kills, which was reported to be the most in U.S. military history.

Over the year Moore has received some degree of notoriety for making rabid left-wing films.  He tweeted to the over 1.7 million imbeciles who follow him: "My uncle killed by sniper in WW2. We were taught snipers were cowards. Will shoot u in the back. Snipers aren't heroes. And invaders r worse."  This is another example where those on the left reveal just how much it is that they hate this country and loath our military.  So slander those who defend this country is the lowest of lows.   

Eastwood's movie has won both popular and critical acclaim and has been nominated for six Oscars.  And while the liberal New York Times was perhaps a little less blunt than Moore, it still could not quite bring itself to heap any level of actual praise on either the movie or the man that it was about.  They did manage to give the film a generally sympathetic review, albeit with one odd caveat, placing it in the context of "Eastwood's commitment to the themes of vengeance and justice in a fallen world."

The truth of matter is that Kyle's actions are believed to have saved the lives of hundreds of U.S. service members. Service members’ whose lives, I’m quite sure, that Moore would have preferred not to have been saved.  The film is broadly based on Kyle's bestselling 2012 autobiography, which is also the story of the trauma he suffered as a result of the war in Iraq.  In February 2013, Kyle was murdered by Eddie Ray Routh, a soldier suffering from post-traumatic stress whom Kyle had befriended.

As many you are most likely very aware, Moore has made millions on his rather unique approach to cinematography.  His movies are essentially nothing more than pure unadulterated leftwing drivel that equates to mindless propaganda.  One of his movies, Fahrenheit 9/11, was released in 2004 and portrayed the George W. Bush administration as having manipulated the aftermath of the 9/11 Islamist attacks on the U.S. to further its greed-driven agenda for wars in Afghanistan and Iraq.

Other examples of Moore's cinematographic prowess are his Oscar-winning 2002 documentary, "Bowling For Columbine," which was his blatantly deceptive depiction regarding gun violence in America and also served as being part of his ongoing campaign against firearms.  In 2007 another one of his films, Sicko, presented viewers with his rather twisted perception of healthcare here in America.  And then in 2009 he released another movie, this one was titled, Capitalism: A Love Story.

Moore is a big Obama supporter, so it was no surprise the ‘Capitalism’ had as its subject the late-2000s financial crisis and the U.S. economy during the transition between the incoming Barry ‘O’ and the outgoing ‘W’. Addressing a press conference at its release, Moore said, "Democracy is not a spectator sport, it's a participatory event. If we don't participate in it, it ceases to be a democracy. So Obama will rise or fall based not so much on what he does but on what we do to support him.”

In watching any of the movies that Moore had made, it becomes pretty obvious, pretty quickly that he rarely worries about getting the facts right.  His record for accuracy is far from what one might be referred to as being stellar. His documentary, "Fahrenheit 9/11," contained over 50 instances, both within the movie itself and in representations made about it during the films promotion, that bore absolutely no resemblance to the facts as they related to the subject matter of his film.   

But look, I feel pretty confident in say that we can expect much more harsh criticism to be thrown at Eastwood’s film as the negative leftist reaction to sure to continue to ramp up. The popularity of "American Sniper" is sure to send more of them over the edge in the coming weeks and days. And I’m sure that before too long we can also expect to be subjected to passive-aggressive versions of such sentiments to make their way into state-controlled media reports.  So be prepared.

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